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Brass Quartet: 2 trumpets, horn, trombone
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You've selected:
Sinfonia 9 for String Trio
Sheetmusic to print
11 sheet music found
<
1
Sinfonia 9 for Cello Trio
String Trio: 3 cellos
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.963270 Compo…
(+)
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.963270 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,Standards. Score and parts. 9 pages. Cristiano Vecchi #4108129. Published by Cristiano Vecchi (A0.963270). The three-part Sinfonia or Inventio N.9, chromatic masterwork by J.S. Bach, in a version for Cello Trio transposed in C minor a fourth below in a more proper cello range.Added dynamic and expression indications that follow and show the formal architecture of the piece.SCORE AND PARTS.
$3.99
3.72 €
#
String Trio: 3 cellos
#
Johann Sebastian Bach
#
Sinfonia 9 for Cello Trio
#
Cristiano Vecchi
#
SheetMusicPlus
Sinfonia 9 for String Trio
String Trio: violin, viola, cello
Small Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.963271 Compo…
(+)
Small Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.963271 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Standards. Score and parts. 17 pages. Cristiano Vecchi #4102865. Published by Cristiano Vecchi (A0.963271). The three-part Sinfonia or Inventio, chromatic masterwork by J.S. Bach, in two versions collected in this edition: 1) for Violin, Viola and Cello in the original Fminor; 2) for two Violis and Cello transposed in Aminor for a brighter sound.Added dynamic and expression indications that follow and show the formal architecture of the piece.SCORE AND PARTS.
$2.99
2.79 €
#
String Trio: violin, viola, cello
#
Johann Sebastian Bach
#
Sinfonia 9 for String Trio
#
Cristiano Vecchi
#
SheetMusicPlus
Sinfonia No.9 BWV.795 for String Trio
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.777810 Co…
(+)
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.777810 Composed by Johann Sebastian Bach. Arranged by Mikio Kamada. Baroque. Score and parts. 5 pages. ACORDO Sheet Music #9363. Published by ACORDO Sheet Music (A0.777810). Sinfonias No.1-15, BWV.787-801, are known as three part inventions for keyboard. Johann Sebastian Bach (1685-1750) composed these short pieces for educational purposes. It was not only for practice of playing keyboards but also for acquiring a strong foretaste of composition. All of them are full of musical charm. They are very good educational materials for players other than keyboard players.
$6.00
5.6 €
#
String Trio: violin, viola, cello
#
Johann Sebastian Bach
#
Sinfonia No.9 BWV.795 for String Trio
#
ACORDO Sheet Music
#
SheetMusicPlus
Bach: 3-Part Invention (Sinfonia) No. 9 in f (BWV 795) arr. for String Trio
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.785249 Co…
(+)
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.785249 Composed by Johann Sebastian Bach. Arranged by D Oppenheim. Baroque. Score and parts. 7 pages. Dan Oppenheim #5710905. Published by Dan Oppenheim (A0.785249). Find more of my arrangements - search Dan Oppenheim
$5.13
4.79 €
#
String Trio: violin, viola, cello
#
Johann Sebastian Bach
#
Bach: 3-Part Invention
#
Dan Oppenheim
#
SheetMusicPlus
Sinfonia 9 for Brass Trio MP3
Horn,Trombone,Trumpet - Digital Download SKU: A0.1066286 Composed by Johann Sebasti…
(+)
Horn,Trombone,Trumpet - Digital Download SKU: A0.1066286 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,Standards. Full Performance. Duration 121. Cristiano Vecchi #4849973. Published by Cristiano Vecchi (A0.1066286). The three-part Sinfonia or Inventio N.9, chromatic masterwork by J.S. Bach, in a version for Brass Trio:Trumpet in Bb - Horn in F - Trombone .Duration: 2'00Added dynamic and expression indications that follow and show the formal architecture of the piece.Score and parts also purchasable on this website.Also available on this website versions for: Woodwind Trio, Cello Trio, String Trio.
$1.99
1.86 €
#
Johann Sebastian Bach
#
Sinfonia 9 for Brass Trio MP3
#
Cristiano Vecchi
#
SheetMusicPlus
Sinfonia 9 for Brass Trio
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.963357 Co…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.963357 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Concert,Instructional,Sacred,Standards. Score and parts. 8 pages. Cristiano Vecchi #4849965. Published by Cristiano Vecchi (A0.963357). The three-part Sinfonia or Inventio N.9, chromatic masterwork by J.S. Bach, in a version for Brass Trio:Trumpet in Bb - Horn in F - Trombone .Added dynamic and expression indications that follow and show the formal architecture of the piece.SCORE AND PARTS. Also purchasable the MP3 on this website.Also available on this website versions for: Woodwind Trio, Cello Trio, String Trio.
$4.99
4.65 €
#
Brass Quartet: 2 trumpets, horn, trombone
#
Johann Sebastian Bach
#
Sinfonia 9 for Brass Trio
#
Cristiano Vecchi
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,” or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour” [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfonia”) in that they have an overall “A-B-A” form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.” As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.” Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.32 €
#
String Orchestra
#
Joseph Bologne, Chevalier de St
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,” or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour” [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfonia”) in that they have an overall “A-B-A” form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.” As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.” Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.32 €
#
String Orchestra
#
Joseph Bologne, Chevalier de St
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,” or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour” [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfonia”) in that they have an overall “A-B-A” form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.” As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.” Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.32 €
#
String Orchestra
#
Joseph Bologne, Chevalier de St
#
Overture for Strings No. 2 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 3 - Score Only
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,” or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour” [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfonia”) in that they have an overall “A-B-A” form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.” As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.” Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.32 €
#
Joseph Bologne, Chevalier de St
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,” or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour” [up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfonia”) in that they have an overall “A-B-A” form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.” As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.” Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
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Joseph Bologne, Chevalier de St
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Overture for Strings No. 5 - Score Only
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ROBERT DEBBAUT
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